The Boys adapts another exploitive Garth Ennis comic to mixed results
‘The Boys’ takes a lot of huge swings at superhero subversion, and some of them pay off… continue reading
‘The Boys’ takes a lot of huge swings at superhero subversion, and some of them pay off… continue reading
‘The Perfection’ is exploitation-level nonsense that sometimes elevates to pure camp… continue reading
‘Good Omens’ cannot possibly please everyone, so it picks its targets wisely… continue reading
‘All is True’ is one of the few Shakespeare movies from Kenneth Branagh that will never be remembered… continue reading
‘Avengers: Endgame’ actually pulls it off and leaves you satisfied and wanting more… continue reading
‘Penguin Highway’ is an anime film that gets weird in all the right sort of ways… continue reading
The new ‘Hellboy’ reboot isn’t as good as the original, but the hate on it seems misguided… continue reading
‘Master Z: Ip Man Legacy’ may not have Donnie Yen, but it does nearly match with other luminaries… continue reading
‘Ramen Shop’ knows its strengths – delicious looking food and excellent actors… continue reading
‘Storm Boy’ has a truly epic emotional stretch despite losing itself in the end… continue reading
‘Diane’ plods in darkness to hide the subtle acting depth within… continue reading
‘The Public’ tells a story of the public library, and the secret dark truth we should’ve all realized… continue reading
‘Sobibor’ attempts to tread the line between illustrating history and exploiting it… continue reading
‘Forever’ goes high-concept but expands in the world of its characters… continue reading
‘To Dust’ sure isn’t for most people, and maybe not for me either… continue reading