Earlier this year, The CW took the bold step of renewing almost every single series on the network, which was going to make the fall schedule a tough place to plug in any new series. And then something unexpected happened when CBS (the big sister to The CW) let go of Supergirl … or rather steered it to The CW. The network also added two more new series for the fall, meaning The Originals, iZombie and Reign got bumped to mid-season. And it wouldn’t be a new season if Supernatural wasn’t moved to a new night, back to Thursdays this fall. One thing about this show is that no matter where the head honchos put it, the fans will follow.
The network also announced that starting in August, CW Good will launch on CWTV.com. The new initiative highlights the causes that The CW’s stars and fans are passionate about. It will be highlighted by the new series My Last Days, an inspiring docu-series about how to truly live, as told by those who are dying. Hosted by Jane the Virgin star Justin Baldoni, My Last Days features the stories of six real-life superheroes who remind us that having a limited amount of time doesn’t mean you can’t make a profound impact on others. My Last Days will premiere on The CW Network in August, concurrent to its launch as a digital series on CW Good.
The CW will launch its 2016-17 broadcast season in October, with premiere dates to be announced later. New series Riverdale joins The 100, iZombie, The Originals and Reign on its mid-season roster.
Following is The CW fall 2016 primetime schedule (new titles highlighted in bold):
8:00 P — Supergirl
9:00 P – Jane the Virgin
8:00 P — The Flash
9:00 P — No Tomorrow
8:00 P — Arrow
9:00 P — Frequency
8:00 P – DC’s Legends of Tomorrow
9:00 P — Supernatural (New Night)
8:00 P — The Vampire Diaries
9:00 P — Crazy Ex-Girlfriends (New Night)
A rundown of The CW’s new series:
Supergirls is an action-adventure drama based on the DC character Kara Zor-El, Superman’s (Kal-El) cousin who, after 12 years of keeping her powers a secret on Earth, decides to finally embrace her superhuman abilities and be the hero she was always meant to be. Twelve-year-old Kara escaped the doomed planet Krypton with her parents’ help at the same time as the infant Kal-El. Protected and raised on Earth by her foster family, the Danvers, Kara grew up in the shadow of her foster sister, Alex, and learned to conceal the phenomenal powers she shares with her famous cousin in order to keep her identity a secret. Years later at 24, Kara lives in National City assisting media mogul and fierce taskmaster Cat Grant.
She works alongside her friend and IT technician Winn Schott and famous photographer James Olsen, who Grant just hired away from the Daily Planet to serve as her new art director. However, Kara’s days of keeping her talents a secret are over when Hank Henshaw, head of a super-secret agency where her sister also works, enlists her to help them protect the citizens of National City from sinister threats. Though Kara will need to find a way to manage her newfound empowerment with her very human relationships, her heart soars as she takes to the skies as Supergirl to fight crime.
Evie Callahan (Tori Anderson), a risk-averse quality-control assessor, appreciates order. Whenever she’s making a list, “make a list” is both the first thing on it and the first thing crossed off. Such a regimented life has its drawbacks. Her on-again/off-again romance with the sweet, but soft-spoken Timothy (Jesse Rath) has sputtered out. Her career has stalled. Her boss, Deirdre (Amy Pietz), a petty tyrant with breath that could kill a plant, laughs off her ambitions. Then Evie meets charming, free-spirited Xavier Holliday (Joshua Sasse), and the attraction is immediate and electric. He brings a jolt of joyful, rollicking romance into her life. Xavier encourages Evie to carpe that diem, because it’s more fun that way and because, well, the apocalypse is, you know, nigh. He believes humankind has a mere eight months and twelve days until a runaway asteroid smacks us all into stardust. That’s why he made an Apocalyst – a tally of every last thing he wants to do before the world goes kaput. So with the help of her friends – Hank (Jonathan Langdon), a die hard conspiracy theorist, and Kareema (Sarayu Blue), a droll nihilist – Evie must decide whether Xavier is certifiable and whether that even matters, if being with him means living her life more fully. Based on the International Emmy-nominated Brazilian format from Grupo Globo, No Tomorrow is a romantic comedy with the ultimate ticking clock
Detective Raimy Sullivan (Peyton List) has always wanted to prove that she is nothing like her father. In 1996, when Raimy was eight years old, NYPD Officer Frank Sullivan (Riley Smith) left Raimy and her mother, Julie (Devin Kelley), behind when he went deep undercover, got corrupted, and got himself killed. Or so the story has always gone. Few people knew about the secret undercover sting operation Frank was really charged with, led by Stan Moreno (Anthony Ruivivar), who has now risen to Deputy Chief of Police.
Frank’s former partner, Lieutenant Satch Reyna (Mekhi Phifer), is now Raimy’s mentor and friend, and he has urged her to let go of the hurt and anger she still feels about Frank’s disappearance and death, but the old pain still lingers. Raimy can barely bring herself to discuss Frank, even with her devoted boyfriend, Daniel (Daniel Bonjour), or her childhood friend, Gordo (Lenny Jacobson). Now, twenty years later, Raimy is stunned when a voice suddenly crackles through her father’s old, long-broken ham radio – it’s Frank, somehow transmitting over the airwaves and through the decades from 1996.
They’re both shocked and confused, but Raimy shakes Frank to the core when she warns him that the secret sting he is undertaking will lead to his death. Armed with that knowledge, Frank survives the attempt on his life. But changing history has dramatically affected Raimy’s life in the present – and there have been tragic consequences. Separated by twenty years, father and daughter have reunited on a frequency only they can hear, but can they rewrite the story of their lives without risking everyone they love?
As a new school year begins, the town of Riverdale is reeling from the recent, tragic death of high school golden boy Jason Blossom — and nothing feels the same … Archie Andrews (KJ Apa) is still the all-American teen, but the summer’s events made him realize that he wants to pursue a career in music — not follow in his dad’s footsteps — despite the sudden end of his forbidden relationship with Riverdale’s young music teacher, Ms. Grundy (Sarah Habel). Which means Archie doesn’t have anyone who will mentor him — certainly not singer Josie McCoy (Ashleigh Murray), who is only focused on her band, the soon-to-be-world-famous Pussycats. It’s all weighing heavily on Archie’s mind — as is his fractured friendship with budding writer and fellow classmate Jughead Jones (Cole Sprouse).
Meanwhile, girl-next-door Betty Cooper (Lili Reinhart) is anxious to see her crush Archie after being away all summer, but she’s not quite ready to reveal her true feelings to him. And Betty’s nerves – which are hardly soothed by her overbearing mother Alice (Mädchen Amick) aren’t the only thing holding her back. When a new student, Veronica Lodge (Camila Mendes), arrives in town from New York with her mother Hermione (Marisol Nichols), there’s an undeniable spark between her and Archie, even though Veronica doesn’t want to risk her new friendship with Betty by making a play for Archie. And then there’s Cheryl Blossom (Madelaine Petsch) … Riverdale’s Queen Bee is happy to stir up trouble amongst Archie, Betty, and Veronica, but Cheryl is keeping secrets of her own. What, exactly, is she hiding about the mysterious death of her twin brother, Jason? Riverdale may look like a quiet, sleepy town, but there are dangers in the shadows …